It is of particular importance to sonnets, though it also appears in other forms. Octave: This is an eight-line stanza in iambic pentameter, usually with an ABBA ABBA rhyme scheme.It is generally written in common meter with an ABCB rhyme scheme. Ballad Stanza: A type of four-line stanza common in English poetry.Here are just a few of the more common types of stanzas that are defined by rhyme scheme or meter. These specialized types of stanzas are defined by specific rhyme scheme or metrical requirements, or they always appear in specific poetic forms. There are other types of stanzas that are not simply defined by their number of lines. Sestet: A stanza made up of six lines.Some poems, such as the Japanese tanka and the American cinquain, consist of a single five-line stanza. Cinquain: A stanza made up of five lines.The unit of many traditional forms of poetry, such as ballads and sestinas. Quatrain: A stanza made up of four lines.Forms of poetry that are based on the tercet include villanelles and terza rima. Tercet: A stanza made up of three lines.The simplest and most basic unit of poetry in English is the rhyming couplet. Couplet: A stanza made up of two lines.Types of Stanzaic Formįor the most part, stanzas are named according to the number of lines they contain. A night of pure discouragement.Īnd still the next night I would begin again, and often all would be well. It was, she said, a great discovery, albeit my real life.īut certain nights, she said, the moon was barely visible through the cloudsĪnd the music never started. I would find myself at my front door, staring at it,īarely able to make out, in darkness, the glittering knob. To be circular, each night, after my wanderings, Notice how the stanza breaks serve to break the poem into units of speech or thought-much like paragraphs in prose. Here's an example of the use of stanza breaks in free verse-an excerpt from the poem "A Sharply Worded Silence" by Louise Glück-which consists of a four-line quatrain, followed by a single line, followed by a three-line tercet. In free verse, unlike in formal verse, stanzas are often irregular throughout the poem, so a poem may contain a dozen two-line couplets shuffled in with a handful of six-line sestets and one much longer stanza. In other words, a stanza break may be used in free verse to create a pause in the poem, or to signal a shift in the poem's focus. In free verse-or, poetry without meter or rhyme scheme-the stanza is a unit that is defined by meaning or pacing, rather than by meter or rhyme. Your Consciousness – and me – Stanzas in Free Verse Since this is formal verse, the second stanza should be expected to repeat the same pattern (the same meter and rhyme scheme, but using different rhymes), which it does. In this two-stanza poem by Emily Dickinson, the first stanza alternates lines of iambic tetrameter (eight syllables) with lines of iambic trimeter (six syllables), and the rhyme scheme is A B C B. However, the general rule about stanzas in formal verse is that their form recurs from stanza to stanza-the words are different in each stanza, but the general metrical pattern and rhyme scheme are usually the same in each stanza. For example, some stanzas alternate between iambic pentameter and iambic tetrameter. In formal verse-that is, poetry with a strict meter and rhyme scheme-a stanza may contain multiple meters and different rhymes. However, that way that stanzas work are different in formal verse that has meter and rhyme scheme and free verse that does not. Stanzas can have any meter or rhyme scheme, or none at all. Here's how to pronounce stanza: stan-zuh Stanzas, Meter, and Rhyme Scheme Because stanzas are the basic unit of poetry, they are often compared to paragraphs in prose.Especially in older or longer poems, stanzas may be differentiated from one another according to where the meter or rhyme scheme change. Stanzas aren't always separated by line breaks.Stanzas also help break the poem down into smaller units that are easy to read and understand. ![]()
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